Cementerio Laprida, 1999
Cementerio Laprida, 1999
Matadero Azul, 1999
Matadero Azul, 1999
Cementerio de Saladungaray, 2000
Cementerio de Saladungaray, 2000
Cementerio de Azul, 1998
Cementerio de Azul, 1998
Cementerio Balcarce, 1999
Cementerio Balcarce, 1999
Municipalidad Tornquist, 2012
Municipalidad Tornquist, 2012
Municipalidad Carhue, 2012
Municipalidad Carhue, 2012
Matadero Saliquello, 2000
Matadero Saliquello, 2000
Matadero de Guamini, 1998
Matadero de Guamini, 1998
Municipalidad de Guamini, 1999
Municipalidad de Guamini, 1999
Matadero Vedia, 2012
Matadero Vedia, 2012
Municipalidad Loberia, 2001
Municipalidad Loberia, 2001
Matadero Tres Lomas, 2000
Matadero Tres Lomas, 2000

ESTEBAN PASTORINO DIAZ

SALAMONE


Gum Prints

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Artist Biography

Publications

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    "In 1998 and 2001 I travelled around the province of Buenos Aires (Argentina) with the purpose of making a photographic survey on Architect Francisco Salomone's buildings. His work, developed between 1936 and 1940, in approximately twenty-five towns and cities of the province, was compliant with the plan of Manuel Fresco’s conservative government, which aimed at building slaughter houses, cemeteries, and town halls in several areas of his jurisdiction.


    My interest towards this issue was first aroused in 1997 by a documentary exhibition held at Borges Cultural Centre. In it, the art critic Edward Shaw presented information on the majority of Salomone's production. Fascinated by the symbolic implications of this building program -symbols that enter the political, historical, literary and, in general, ideological grounds- I made the decision of exploring this architecture by means of the photographic media.


    Salomone's work is a monumental and wonderfully creative expression of a style in which Art Deco and Rationalism merge. In my view, and analyzing it from the perspective given by the current situation, his task as official architect shows the failure of a country's project. Although Fresco's management was quite successful, behind his ambitious urban program, the failure of the rich agricultural and farming Argentina utopia became apparent once again. And this failure broadens the gap between that fiction we still believe in, and the reality we are not yet determined to accept."

                                                                                                                                       

                                                                                                                                        Esteban Pastorino Diaz

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