Do you ever wish that a heroic soul would come along riding a horse to save the day and protect the rights of the people like we used to see in old Hollywood movies? Artist Jeanine Michna-Bales’ rich and deeply nuanced exhibition at the Photographs Do Not Bend Gallery and its accompanying publication delve into one woman’s crusade, sometimes on horseback, to do just that.
PaperCity Magazine: “Who is Inez Milholland? The Gloria Steinem of 1916 Get Her Day in Dallas” by Catherine D. Anspon →
In the September issue of Paper City Dallas, Catherine D. Anspon writes about the subject of Jeanine Michna-Bales's current exhibition, Inez Milholland.
Glasstire: “Jeanine Michna-Bales Revisits the Final Campaign for Women’s Suffrage” by Colette Copeland →
I first met Jeanine Michna-Bales in 2017, in conjunction with her exhibition and book publication of Through Darkness to Light: Photographs Along the Underground Railroad, and had the pleasure of interviewing her for Glasstire. Michna-Bales’ process is very research-intensive, and her current project, Standing Together: Inez Milholland’s Final Campaign for Women’s Suffrage, is no exception.
